|
Ana Juan (born 1961 in Valencia, Spain) is a Spanish artist, illustrator and painter. ==Life and career== After graduating in Fine Arts from Universidad Politécnica in Valencia (1982), she moved to Madrid at the height of the movida madrileña and in the early 1980s she collaborated with magazines such as ''La Luna'' and ''Madriz'' (where "for the first seven months of the magazine's life, () was the only regular female artist" and for which "she authored seventeen comic book works" and illustrated many scripts for other artists).〔Perez-Sanchez, Gema, ''Queer Transitions in Contemporary Spanish Culture: From Franco to LA MOVIDA'', State University of New York Press (June 5, 2008), p.164, ISBN 978-0791471746〕 In 1991 she temporarily moved to Paris and exhibited in Geneve and New York; in 1994 she received a fellowship by the Japanese publishing house Kodansha and lived in Japan for three months. Back in Madrid, in 1995 she started contributing to ''The New Yorker'', for which she has designed more than 20 covers over the years. In 1998 and 1999 she was awarded the Gold Medal (category: Illustration) by the Society of Newspaper Design and on September 24, 2010 she was awarded the “Premio Nacional de Ilustración” by the Spanish Ministry of Culture. She currently creates her own books (texts and illustrations), exhibits her work all over the world (Spain, Mexico, Japan, Italy…) and contributes to many Spanish and international magazines. She has also illustrated many Isabel Allende's book covers for Plaza e Janés (Penguin Random House), among which: ''Retrato en Sepia'', ''Eva Luna'', ''El cuaderno de Maya'', ''De amor y de sombra''. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Ana Juan」の詳細全文を読む スポンサード リンク
|